Men, please lift up women's thighs

Among the three major "magnetic fields" of a woman's body, the plump buttocks and breasts have always been the subject of intensive discussion, while the thighs have to take a back seat. Perhaps the thighs have a strong sexual symbolism, and people are taboo about it, so they write about them in an obscure and roundabout way without much emphasis. However, the most visually impactful sexy part of a woman is precisely the thighs.

Speaking of women's thighs, the author Tongdu Yan Xiaosi has to say that the Chinese people's aesthetic awareness is a bit slow.

From ancient times to the present, the appreciation of women's thighs has always been vague, or even avoided. The reason for this may be that Chinese clothing restricts the expression of thighs, or that Chinese women's foot binding caused thigh defects. Therefore, we rarely see poems describing women's thighs, and they are only mentioned in passing in some "erotic books". For example, in the Eastern erotica represented by China, the "Jin Ping Mei", there is a description of "white legs", while in the Western erotica represented by Britain, the "Lady Chatterley's Lover", there is a description of "round ivory-like thighs"; and in painting, the Chinese are far inferior to the Westerners in terms of freedom and unrestrainedness. The Spanish painter Goya freely expressed lust in portraits. In the painting "The Naked Maja", "the milky white makes the elegant and noble thighs shine." However, Chinese painters mostly focus on expressing the gorgeous costumes of ladies and the colorful makeup on their faces, such as the painter Tang Bohu's work "Prostitutes in Wang Shu Palace." People in the East and the West also have different ways of expression. In the West, Spanish girls use dance to interpret the vocabulary of thighs. When they lift up their skirts and shake them, it is like "a red flag half rolled out of the gate", passionate and unrestrained, showing the charm of thighs. Ballet, in particular, is simply the art of thighs. In China, in the East, women use cheongsam to interpret the meaning of thighs. When the corners of the robe are sewn, it is like "a small boat pushing out from the shade of willows", restrained and subtle, yet without losing its charm.

With the change and evolution of aesthetic concepts and tastes, we have a new interpretation of women's thighs.

On the one hand, it inherits the traditional female aesthetic concepts accumulated by predecessors, and on the other hand, it consciously or unconsciously derives aesthetic tastes that conform to modern aesthetic needs. In fact, women's thighs do contain rich sexual culture. From an aesthetic point of view, women's thighs can be beautiful or ugly. Beautiful thighs emphasize the symbiosis of vision and touch. The visual definition is "slender and evenly bony" and "white and shiny", while the tactile definition is "delicate and smooth" and "pink and fluffy". Most of the beautiful legs come from dancers and nude models, whose body shapes all conform to the theorem of "Chinese and Foreign Ratio", that is, "three for sitting and seven for standing". Ugly thighs are generally "short, hard, thick, hairy, and fleshy". These legs mostly come from track and field athletes and farmers. In terms of leg shape, European and American women have better legs than Chinese women. They have even bones and are long, with closed legs. Oscar-winning actress Charlize Theron's thighs are the spokesperson for beautiful legs, while among Oriental Chinese, the best thighs are those of "Taiwan's No. 1 Beauty" Lin Chi-ling. Her legs are slender, smooth, and extremely lethal. Once they are posed in a "pOSe", they are particularly dazzling, which can best stimulate the spirit of sensory trends, stimulate the secretion of hormones and gonads, and make the viewer's blood rush to the point of bursting. However, according to the Chinese aesthetic taste, the thighs of southern women conform to the definition of sexology, while those of northern women appear strong and thick, which are pleasing to look at but not enough to touch. From a symbolic point of view, the legs are like the oars of a boat and the pillars of a palace. To see the elegance of a boat, one looks at the thickness of the oars; to see the refinement of a room, one looks at the material of the pillars; and to see the beauty of a woman's genitals, one looks at the beauty of her thighs. If a woman has thick thighs, her orifices must be rough and solid; if a woman has white and tender thighs, her orifices must be fine and dense. This is the conclusion of physiology.

Generally speaking, legs are the sexy point of a woman.

If the breasts and buttocks of a woman are vague and conservative, then her legs are ostentatious and open. A woman's miniskirt expresses this concept perfectly. What we remember most is the American movie star Monroe. The classic shot of her holding down the hem of her skirt that was blown by the wind with both hands aroused men's endless reverie about thighs. Men's appreciation of women's thighs is mostly "lustful". Men can look at women's breasts, or buttocks, but they are just lustful and not lewd. However, men look at women's thighs mostly with conscious obscenity, because from the thighs they are flowing upstream and will directly reach the "final destination" of the woman, and the lewd intention is self-evident. A woman's thighs are multifunctional. They have sexual suggestive effects, so they are used as props for "sexual foreplay". From Ximen Qing hooking the leg of Pan Jinlian in "Water Margin" to Julien hooking the leg of Madame de Renal in "The Red and the Black", they all use legs to achieve the effect of "sexual foreplay". If the legs are used directly to express sexual awareness, it would be more specific. A woman's legs are simply a magic wand to arouse a man's sexual desire. Its posture, shape, and color are enough to arouse sexual fantasies of the opposite sex, especially when a man and a woman are in bed. The man starts with the appreciation and caress of the woman's legs, and finally the woman uses her thighs to give the man a "hug" to reach climax.

Artist Rodin said: "Nothing in nature has more character than the human body." Yes, because of its softness and beauty, or because of its external impact, it can evoke various different images in men. No matter how big a woman's breasts are or how fat her buttocks are, for men they are the field of fertility, but a woman's beautiful legs are the conductor of a man's "sexual excitement". Therefore, women's thighs often constitute a unique landscape in body art.